Comic comes to Harlem: Dave Chappelle then & now

I was telling a friend the other day how I didn't much care for Dave Chappelle until I went to a taping of the first season of Chappelle's Show. With the exception of his appearance in the Nutty Professor
, Dave seemed to be a white boy's Black comic. He had a weird twang that didn't sound much DC (although his family's roots run relatively deep there) and he wasn't much of the mimic or the broad entertainer like his immediate predecessors (e.g., Eddie, Martin, Jamie, even Tommy and the other Eddie, who I have since renounced).
But it was the winter of 2002 and I was a new New York City transplant committed to soaking up the city. I heard about the taping from a NYU listserv and snagged 4 tickets but only used three for me, my cousin and my sister. The night of the taping it was brick and the production assistants kept the audience waiting for a couple hours on a windy southeast Harlem street. They had booked audiences to come in shifts--we were the last--and had fallen way behind schedule. After making it inside the foyer of the building that then housed BET's 106th and Park studios as well as a competitive public girls school, The Young Women's Leadership School of East Harlem (where I had once spoken on hip hop and gender relations), we waited some more and were finally ushered into the small studio where we were sat back and center. It's not a big studio but our placement didn't bode well for camera time and I wanted to be on TV, laughing hard and tossing my pressed hair. Then we quickly learned that we weren't going to be seeing any live performances of sketches or music. Everything had already been taped. We would watch the taped sketches in between brief intros from Dave who greeted us, looking skinnier and altogether much more low key than I had imagined. He cracked funnies for a good while before the cameras started to roll. Having noticed the frozen audience's perturbness, he thawed us with jokes and jokes and jokes and all of this with no concern for the time. Once we were all in good spirits, Dave plodded through the show, stopping to smoke, confer with his partner Neal Brennan and show director Rusty Fear of a Black Hat Cundieff at occasional intervals. For every sketch intro attempt, he offered a 5 or so minutes of stand up and he flubbed his lines quite a few times. We really got our hypothermia's worth and were ecstatic to have been the first to see a show that would stratospherically launch the young workhorse comic's star.
Well, Dave is an altogether different place now, with the breakout success of the second season of Chappelle's Show (who's taping I also attended), his Block Party
(which I also attended) the 50 million (a fraction of which I hope to God I will one day have), the aborted third season
(which I didn't watch) and Africa (where I have yet to visit). I didn't much care for his stand up special
or the mustache but was happy that he was back at it. I even watched his Iconoclast episode, in which Dave was so nervous and restrained and frail old Maya Angelou so intentionally profound in her tale telling that I sitting on my couch watching the episode on Sundance was extremely uncomfortable. Thanks to his recent lunch at the Ivy and a marathon stand up gig in LA, he's gossip worthy and as a result BWE linked this recent performance in London. Near the end of the clip, Dave queries the ethnic background of an audience member and upon hearing he was Scottish and Pakistani says "this motherfucker's half braveheart, half braverheart." Funny is as funny does. Here's Dave in London (Don't his homeless white person sound like Maya Angelou?):
Tags: Dave Chappelle

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